The layers of meaning within each movement must be expressed in time with music. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.

Above all else, the skill of performers is evaluated according to the beauty of their movements. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. Peking opera features four main types of performers. It has also spread to other countries such as the United States and Japan. The art form is also preserved in Taiwan, where it is known as Guoju). Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south. The form was extremely popular in the Qing Dynasty court. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. Peking opera or Beijing opera is a form traditional Chinese theatre which combines music, vocal performance, mime, dance, and acrobatics.

Here you will find pieces featuring the Peking (Beijing) Opera Face-paint Mask - Hou Yi (后羿). Here you will find pieces featuringIntroducing 'Chinese Masks' collection by Serge Averbukh, showcasing meticulous digital paintings of various patterns and masks utilized by Peking Opera and other traditional Chinese theater schools. Introducing 'Chinese Masks' collection by Serge Averbukh, showcasing meticulous digital paintings of various patterns and masks utilized by Peking Opera and other traditional Chinese theater schools.

Peking opera mask history